We urge you take time to get acquainted with Raku pottery and in particular, with one of Colorado’s top raku potters Marc Jenesel. His work is rather unique because it “glows” with warmth and interest. There are all kinds of raku pottery in the art world but none like this.
Whether an avid collector of pottery or not, if you love the feel and look of pottery, explore his collection. This is a discovery you don’t want to miss. Marc and his wife Karen collaborate to create vessels with fiber for spectacular sculpture-like vessels. Their collection of Raku vessels with textured glazes, shapes, and colors are head-turners and make great conversational pieces. It is amazing what four hands, two sets of eyes and two creative minds can deliver together. Each piece is exquisite work and the perfect accent for whatever you enjoy collecting. You might even be moved to pick up a piece for a gift.
Tell us what you like about their pieces … the crackled textured glazes, the coppery shades of blue, violet and red that sparkle and glitter, or some other appealing feature? Check online to see their combination pieces and more glow pots.
Since August is “American Artists Appreciation” month Hunter-Wolff Gallery selected one of its fine pastel painters, Marlene Kort, to honor this month.
Marlene works primarily with Pastels. Rather than using oil paint, brushes, solvents and other liquids, she selects her color sticks of ground pigment mixed with a binder. Shaped into drawing (painting) sticks, she layers and blends using her fingers. Pastels cannot be mixed on a palette like paints, but are mixed on a toothy paper similar to sandpaper by overlaying or blending colors. The color stays brilliant.
Although artists have been using pastels since the Renaissance, they did not become popular until the 18th century. Works created by numerous notable artists, including Edgar Degas, an innovator in the pastel technique, can be found in museums and look as fresh and vibrant as if created in more modern times.
Pastel is a very flexible medium and durable. It can be brushed off or erased. It can be blended or layered. It is typical to blend colors with a finger. Finished pieces are best placed under museum-quality glass to eliminate glare, protect against UV light rays and preserve a painting for a lifetime! Consider a pastel painting by Marlene Kort at Hunter-Wolff Gallery the next time you shop for art. It will remain vibrant for generations and by framing with top-quality museum glass will be appreciated for a lifetime.
Many examples of Marlene’s available work for ownership can be viewed on our website
. For more information about Marlene and her passions, click to read Hunter-Wolff Gallery’s August 2016 gallery’s newsletter.
Hunter-Wolff Gallery always has someone on staff to help with questions about art techniques, purchasing,
shipping, and other area’s of interest. 719-520-9494.
Happy 10th Anniversary Hunter-Wolff Gallery! It sounds strange to hear these words, because when I started on this journey I thought being in the art business for few years would be fun. There were so many unknowns at the time Hunter-Wolff Gallery opened its doors. With only corporate business experience, I felt like I landed in a “foreign country”. It was hard to think beyond what was important on any given day or week but I wanted to do something challenging and fun for a few years. Well, the fun kept coming and the challenges became less so.
Taking responsibility for my own business has been one of the most demanding, yet rewarding, endeavors in my life. This was a challenge that would affect so many people, an entire community. I knew from the start this is where I belonged. Ten years later, I still enjoy what I do, even on the less than perfect days.
Because Hunter-Wolff Gallery has represented as many as 40 artists in a given year, we made a lot of friends. Some artists come and some go; just like any other business. But I leave you with this reminder, do what you love, do it well, and the rewards will always be there for you.
Check out our monthly newsletters and learn about our featured artists and exhibits. Be sure to add to your calendar Friday, November 6 to meet dozens of fine artists and to help us celebrate this wonderful milestone.
Whether you are hungry or not, it’s hard to resist a sumptuous smorgasbord. Normally, Hunter-Wolff Gallery doesn’t serve food (except during ArtWalk) but you will find a tempting smorgasbord of art to sample.
Can’t decide what to sample first? With dozens of award-winning artists’ artwork to indulge in, expect a full course meal of art ranging from giftware to heirloom collectibles. Can you imagine dozens of chefs whipping up your smorgasbord? Visitors always find something appealing to their unique tastes. Soup to nuts, you can pick from a variety of two- and three-dimensional art confined to an area not much bigger than a volley ball court. In spite of limited space, the curator displays and interprets the gallery’s collections to help inform, educate and inspire every visitor.
Not familiar with Raku? Drusy? Burl? Then you are in for a treat, because the staff is prepared to share as much detail as you want and have handouts to help you learn more about the pieces you find interesting.
Hunter-Wolff Gallery has a dozen painters, each with their own unique style and appeal. Before stepping away from the buffet of paintings, consider the three-dimensional art made from wood, glass, bronze, clay and more. For extra sweet treats, the jewelry cases are filled with beautifully designed and fabricated silver pieces and necklaces, bracelets and earrings in colorful gemstones, pearls, etc., to satisfy today’s contemporary woman.
Hunter-Wolff Gallery has one extra bonus. No calories! And, when you can’t find what you want from this smorgasbord of delights, ask the staff to check its sources to find what you’re craving. Hunter-Wolff Gallery’s artists are happy to whip up a new recipe to satisfy your hunger for art. What are you craving?
When we have great news about a new artist, it is simply impossible not to tell everyone we know. It’s like finding out you are having a baby. You just can’t keep it a secret.
This past January, I found Vicki Grant’s wonderful work in another gallery when I was vacationing in Florida. Remember her name because you will be seeing and hearing a lot about her and her work. Although we would love to have you meet her soon, it will likely be the fall when she can travel to Colorado. Keep checking our posts and website for information about her visit.
Where does she get such creative ideas? First, her background includes having studied Architecture at the University of Maryland School of Architecture. With more than 25 years experience as an architect and artist, she naturally creates a visual experience that engages the viewer both intellectually and emotionally. When you see her work in person, you will understand what this means. She says, she “always felt that the most amazing forms, structure, color and textures are found within nature and that exposure to these elements have been her inspiration and teacher”.
When she sits down to start a new work of art and her idea is in place, she transforms clay with her hands and tools to reflect the original conceptual thought. After firing the clay, oil pigments are hand applied, layer after layer, until the final patina of rich hues is achieved. She then embellishes her shapes with porcupine quills, fossils, stones, feathers, wood and shells. The results are always unique and truly engaging.
When you want something incredibly stimulating to add to your art collection, consider Vicki Grant’s colorful shapes on slate. Hunter-Wolff Gallery currently carries two sizes, 12×12 and 6×6. They are filled with surprises and textures inviting your touch.
Janelle Cox is Never Satisfied with The Status Quo and always brings new subject matter and fresh ideas to her canvas
How do you change status quo to get the most out of life? Do you look for new challenges? New adventures? Push the envelope a little?
In a recent conversation with a local Artist, he reminded me that he knows he isn’t improving or growing as an artist unless he brings new ideas to the forefront by challenging himself. He feels he isn’t doing his best work unless he sees improvement and the status quo never works for him. Ever.
In 1991, Ronald Regan said, “Status quo, you know, that is Latin for ‘the mess we’re in’.” If you don’t really like the “mess” you’re in, change it. Don’t settle for status quo.
I believe we all have the power to make change, to challenge ourselves, to improve our current state of affairs. I like to believe that collecting art is part of that process. It enriches our lives. It makes us see the world with different eyes and feel a closer connection to world we live in. Art transfers positive energy to our personal lives.
Case in point: After returning from being away for a period, I experienced with fresh eyes what visitors see when they walk through Hunter-Wolff Gallery’s door. It was reassuring to feel a much needed escape from the status quo and so much positive charge among our collections. I couldn’t have been more pleased to see new artwork that arrived while I as gone by Greg Custer, Janelle Cox, Fred Lunger and other dedicated artists.
It was a wonderful reminder that HWG continues to offer what is important and needed in our lives to stay uplifted and positive about the future. Stop in soon and see the new work now hanging by these fine artists–work that is always charged with energy, aesthetically appealing with a fresh contemporary flair and the perfect antidote for the status quo.
Learn from yesterday, live for today, hope for tomorrow ~ Albert Einstein
Miniature Bronze Pike
Recently one of my kids asked my opinion about tiny homes on wheels, where the entire house is several hundred square feet (or less). I started laughing because I can’t seem to find enough room in my current home, which is substantially larger, for all my art. I am an art lover afterall and need space to enjoy it.
The small house movement (also known as the “tiny house movement”) is a popular description for the architectural and social movement that advocates living simply in small homes. I love the idea but am not sure it works for me personally at this point in my life. For most art collectors this type of living could pose a problem, especially if you are an active collector and adding new works of art to your collection–to your living space.
One solution for the tiny home dweller is to continue to collect but go for those collectibles that are miniatures or smaller than the norm. For example Fred Lunger, a bronze sculptor at Hunter-Wolff Gallery, sculpts miniature bronzes that are typically between 2 inches and 5 inches in height or width. With miniatures, you often have a “miniature” price tag too! Hunter-Wolff Gallery has many options for ideal “small” art for those with limited space and want to continue collecting. Call 719-520-9494 or visit www.hunterwolffgallery.com for help with original art for your space.
The decision to approach a gallery for representation is followed by hard work and too often 7 common mistakes. Making these mistakes can create disappointment, waste time, impede financial opportunity and, more importantly, could permanently hurt the chance to secure the best representation for your work.
These few steps can increase chances for representation with a gallery. It may be surprising how many doors will open when following some simple guidelines. Just like applying for any job in the marketplace, one needs to be prepared and follow common etiquette. Don’t fall short on these areas:
- Appointment – First, visit a gallery in person. Study as much as possible about the gallery from their website or speak with some of the resident artists. Set up an appointment with the owner or hiring manager for discussion purposes. Never show up without an appointment if you want to be taken seriously.
- Follow-Up – Timing is always a factor. Follow-up with a second call if you are not successful the first time. After a call or meeting with a gallery, regardless of the outcome, be courteous and follow-up with a thank you for their time, words of encouragement or anything else that you took away from your meeting. Don’t be shy about asking if you can follow-up with the gallery in 3-6 months if you think it is a good match but maybe the timing is not right. It may not turnout the way you want but following up later may be the perfect time to be invited back.
- Answers – Like any job interview, be prepared to answer questions about your track record and demonstrate you are a reliable artist who is prepared to deliver what the gallery needs when they need it. They will want to know about your experience, sales history and commitment. Be ready to discuss how you might contribute to their bottom-line.
- Portfolio – Leave your work at home or in your car until you are asked for it. Deliver a portfolio of images of your best work and formatted in a binder and on a CD. The CD will be appreciated by the busy gallery owner. Label each image with a title, size, and medium and format large enough (4×5) to be clearly viewed. Busy galleries don’t have time to look at your life’s work; 15 examples are sufficient to determine a good fit. Keep it concise, consistent, informative and relevant and make it easy for review.
- Consistency – Each portfolio should exhibit a meaningful body of work. Illustrate your uniqueness, technique, style, and appeal, but be consistent. If you are an oil painter and excel at landscapes, showing pencil sketches of nudes or abstract watercolors because you enjoy that too aren’t necessarily helpful. Show only your most recent body of work and your best work. Include sold work to show you have a track record. Artists who work in different mediums should develop a portfolio based on one medium only. Create multiple portfolios but format each as a series of work based on only one medium. Be consistent–don’t confuse the gallery with your different styles and different mediums.
- Inventory – An artist with half a dozen pieces of work isn’t likely to be accepted into an active gallery. A viable partnership starts with a volume of work that allows galleries to swap out or replace work on a moment’s notice. Many successful artists have as many as 75 or more pieces in their inventory and are constantly creating fresh work. The gallery can’t sell what you don’t have. If you only create a few pieces a month, you may not be ready for a gallery relationship.
- Self-Esteem – Successful artists are confident in their artistic ability, marketability and the salability of their work. If you have a positive attitude, high self-esteem and confidence in your work, you will have a better chance to advance beyond your first meeting.
Lastly, for artists with a special talent, getting a foot in the gallery door should be the easiest step to an exciting career. There are many circumstances that may prevent an invitation initially; such as, timing, space availability, genre fit, etc. An unprepared artist, however, can turn a perfect opportunity into a disappointment. There is no short-cut to securing good representation. But, the artist who prepares has the best chance of enjoying a long and rewarding relationship with the best representatives for their work.
Tired of that black ring around your neck from sterling silver? Tarnish is natural when silver oxidizes but it can make a black mark on your skin. Good news for silver lovers who want their silver to stay shiny and not blacken. A brand called Argentium® Sterling is an alloy or mixture of silver containing 92.5% silver and 7.5% copper or other metals. Sterling silver is usually alloyed with copper to give it strength, durability and beauty. But sterling silver tarnishes and needs regular polishing to keep it from darkening or turning black.
Argentium® is a welcomed discovery by Peter Johns in 1996, a professor of silversmith at the Art and Design Research Institute (ADRI), School of Art & Design, Middlesex University in England. The project began in 1990 with research on the effects of germanium additions to silver alloys. Johns discovered that by reducing the copper content in traditional silver and adding germanium (discovered in Germany nearly 100 year earlier) to silver, it stays bright and beautiful. Can you imagine silver jewelry that rarely needs polishing? Argentium forms a clear oxide reducing the tarnishing and contains 92.5% silver and no nickel. If you love the look of shiny silver that only needs an occasional wipe with a soft cloth to remove a smudge or finger mark, look no further.
For thousands of years, we’ve worn sterling silver bracelets, earrings, cuffs, rings, and necklaces. This shimmery white metal can be worn day or night and is a very popular in everyday jewelry. Sterling silver jewelry is far more affordable than white gold or platinum. Hunter-Wolff Gallery offers Argentium sterling silver in designs by DKC Jewelry which are very durable and easy to clean. Even better, if you have a nickel allergy, you can wear sterling silver earrings and other pieces made with Argentium because there is no nickel. Made by hand in Colorado, Argentium sterling silver jewelry is designed for everyday wear.
Old Colorado City (Colorado Springs) offers a monthly art event, every first Friday of the month, that welcomes all ages and is family friendly. If you are looking for a way to stretch your legs and learn something new about art, get your walking shoes on and expect to spend at least 2 hours admiring, learning, and considering new art. With 15 venues along Colorado Avenue, from 23rd to 27th Streets, you will find something to peak your interests. Hundreds of artists exhibit work and there is no shortage of styles and techniques.
At Hunter-Wolff Gallery, 2510 W. Colorado Avenue, ArtWalkers have the opportunity to meet many artists. On April 3, David Newton, Justin Clements, Gina Grundemann, Gary Vigen, Marlene Kort, and many others will be available to answer questions. Selling art is their livelihood and we can’t think of a better way to support artists than to come prepared to fall in love with original art and take it home to admire in your own home.
Hunter-Wolff Gallery will also have staff on hand to help guide you through the gallery if needed and point you in the direction for the next discovery along W. Colorado Avenue.
What do you think of these examples of art work being shown at Friday, April 3 ArtWalk?